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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2008. № 2. P. 55-57.
SCIENTIFIC AREA:    Philological Sciences
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TO THE QUESTION ABOUT VLADIMIR NABOKOV'S CREATIVE METHOD

Klimenko A. V.
Tomsk State University


Abstract. The article is devoted to the genesis of V. Nabokov's creative method. Being the writer synthesizing various manifestations of modernism, V. Nabokov could not avoid the influence of symbolism. The writer continues A. Bely's symbolic tradition. The dualism of the world in V. Nabokov's creativity is transformed up to poly-worlds as a hero's going away from the reality. The problem of the differentiation of and reflected images gives birth to the type of a hero-artist for whom creation is the only way of existence.
Key words and phrases: творческий метод В. Набокова, модернизм, символизм, уход героя из реальности, герой-художник, V. Nabokov's creative method, modernism, symbolism, hero's going away from reality, hero-artist
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References:
  1. Belyi A. Simvolizm kak miroponimanie. - M., 1994.
  2. Nabokov V. V. Sobranie sochinenii: V 4 tt. / Sost. vstupit. st. V. V. Erofeev; poslesl., primech. O. Darka. - M.: Pravda, 1990.
  3. Skonechnaya O. Yu. Cherno-belyi kaleidoskop: A. Belyi v otrazheniyakh V. V. Nabokova // Literaturnoe obozrenie. - M., 1994. - № 7/8.
  4. Struve G. Iz knigi "Russkaya literatura v izgnanii". Nabokov-Sirin // V. V. Nabokov: PRO ET CONTRA. - SPb.: RKhGI, 1999. - T. 1.
  5. Khodasevich V. Koleblemyi trenozhnik: Izbrannoe. - M.: Sovetskii pisatel', 1991.
  6. Shakhovskaya Z. A. V poiskakh Nabokova: Otrazheniya. - M.: Kniga, 1991.
  7. Yarantsev V. N. "Emblematika smysla" romana Andreya Belogo "Peterburg": Avtoref. dis. ... kand. filol. nauk. - Novosibirsk, 1999.

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