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SOURCE:	Philology. Theory & Practice. Tambov: Gramota, 2014. № 6. Part 1. P. 162-165.
SCIENTIFIC AREA:	Philological Sciences
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THE ROLE OF MUSIC IN THE NOVEL BY AYN RAND "ATLAS SHRUGGED"

Salimova Kamila Nailovna
Kazan (Volga Region) Federal University

Abstract. The article considers the participation of musical theme penetrating with the novel "Atlas Shrugged" in the representation of philosophical and ideological content of the most important literary work by Ayn Rand, the creator of philosophy well-known in the modern world under the name of "objectivism". The thesis by Ayn Rand about the reasonability of any element of a literary work irrespective of its scale serves as a starting point for this research.

Key words and phrases: музыка, ощущение жизни, психоэпистемология, эмоция, метафизическая абстракция, объективированная реальность, чувства, логика, этика капитализма, music, sense of life, psychoepistemology, emotion, metaphysical abstraction, objectified reality, feelings, logic, ethics of capitalism

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References:

Rend A. Romanticheskii manifest: filosofiya literatury. M.: Al'pina Pablisher, 2011. 199 s.
Berliner M. The Music of We the Living // Mayhew R. Essays on Ayn Rand’s We the Living. N. Y.: Lexington Books, 2004. P. 117-132.
Peikoff L. Introduction to the 35th Anniversary Edition // Rand A. Atlas Shrugged. N. Y.: Plume, 1999. P. 9-15.
Rand A. Atlas Shrugged. N. Y.: Plume, 1999. 1171 p.

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