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Abstract. The author of the article states that Fatih Karim’s early creations can be considered along with the circumstances of his personal destiny and interest in literature and public life as the source of this original poet. The literary principles of their organization, motif-figurative and subject structure underlie the poetic world, created by the poet, and determine the nature of the artist’s aesthetic ideal.
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Key words and phrases: татарская поэзия, исток, мотив, лирический герой, герой ролевой лирики, лирический субъект, пастораль, идиллия, эстетический идеал, the Tatar poetry, source, motif, lyrical hero, hero of role lyrics, lyrical subject, pastoral, idyll, aesthetic ideal
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References:
- Borev Yu. B. Estetika. Teoriya literatury: entsiklopedicheskii slovar' terminov. M.: Astrel'; AST, 2003. 575 s.
- Broitman S. N. Liricheskii sub"ekt // Vvedenie v literaturovedenie. Literaturnoe proizvedenie: osnovnye ponyatiya i terminy: ucheb. posobie / pod red. L. V. Chernets. M.: Vysshaya shkola; Akademiya, 2000. S. 141-153.
- Karim F. Proizvedeniya: v 3-kh t. Kazan': Tatarskoe knizhnoe izdatel'stvo, 1979. T. 1. 320 s.
- Kvyatkovskii A. P. Poeticheskii slovar'. M.: Sovetskaya entsiklopediya, 1966. 376 s.
- Korman B. O. Lirika Nekrasova. Voronezh: Izd-vo Voronezhskogo un-ta, 1964. 390 s.
- Mazitov Z. M. Fatikh Karim: ocherk zhiznennogo i tvorcheskogo puti. Kazan': Tatarskoe knizhnoe izdatel'stvo, 1963. 172 s.
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Русский
