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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2019. № 11. P. 34-40.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2019.11.7

HARBIN AND SHANGHAI IN THE RUSSIAN LITERATURE OF THE 2000-2010S (THE NOVELS "WHITE SHANGHAI" BY E. BARYAKINA AND "HARBIN" BY E. ANTASHKEVICH)

Krasnoyarova Anna Aleksandrovna, Popkova Tat'yana Dmitrievna
Nanchang University

Shandong Women’s University


Submitted: 20.08.2019
Abstract. Modern literary criticism focuses on studying different types of "thematic texts", among which particular attention is paid to the "Chinese text". The article examines artistic space ("artistic world"), the collective image of the Russian emigrants in China in the 1920-1930s described in the novels "White Shanghai" by E. Baryakina and "Harbin" by E. Antashkevich. Such an approach allows actualizing the literary text in the context of "cultural images" providing a reliable description of historical events in Russia and China at the beginning of the XX century.
Key words and phrases: русская эмиграция, русское зарубежье, "китайский текст", Харбин, Шанхай, Э. В. Барякина, роман "Белый Шанхай", Е. М. Анташкевич, роман "Харбин", Russian emigration, Russian ?migr? community, "Chinese text", Harbin, Shanghai, E. V. Baryakina, novel "White Shanghai", E. M. Antashkevich, novel "Harbin"
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