SEMIOTICS OF SOUND LANDSCAPE IN KAISYN KULIEV’S POETRY
Bauaev Kazim Kelletovich, Kuchukova Zukhra Akhmetovna
Kabardino-Balkarian State University named after H. M. Berbekov
Submitted: 26.03.2019
Abstract. Within the framework of ontological poetics, the authors of the article consider sound landscape features in Kaisyn Kuliev’s works. As applied to the Balkar poet, sound landscape is an aesthetically mobile category, which predetermined the coexistence of four different audio patterns that became the mirror reflection of four periods of his work. The first period is marked by the signs of universal harmony; in the second, military sound landscape is reproduced; the metacode of the third period was "silence", which characterizes the tragedy of deportation. The fourth period is notable for the polyphonic sound of the "orchestra" of world culture broadcasting into information space through the system of numerous intertextemes.
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