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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. № 1. Part 1. P. 144-146.
SCIENTIFIC AREA:    Study of Art
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"CONCERT DUET" BY I. MOSCHELES AND F. MENDELSSOHN AND COLLECTIVE VARIATIONS PHENOMENON

Maksimov Evgenii Ivanovich
Moscow P. I. Tchaikovsky Conservatory


Abstract. The article is devoted to the variation composition written by I. Moscheles and F. Mendelssohn – "Concert Duet" on C. M. von Weber’s theme – which hasn’t been researched in musicology yet. "Concert Duet" is closely connected with the piano music traditions of the first third of the XIX th century. This composition important role in collective variations genre development is emphasized in the article. It is not only the combination of different composers’ variations, but an integral concert composition created on the basis of two outstanding performers’ collaboration.
Key words and phrases: Мендельсон, Мошелес, концертный дуэт, коллективные вариации, тема, Mendelssohn, Moscheles, concert duet, collective variations, theme
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References:
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  2. Maksimov E. I. Variatsii Betkhovena i ego sovremennikov na temu Diabelli // Fortepiano. 2000. № 4. C. 25-29.
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  4. Maksimov E. I. Fortepiannye variatsii Ferentsa Lista // Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki, kul'turologiya i iskusstvovedenie. Voprosy teorii i praktiki. Tambov: Gramota, 2013. № 11. Ch. 2. S. 103-111.
  5. Shuman R. O muzyke i muzykantakh: sobr. st.: v 2-kh t. / sost., tekst. red., vstup. st., komment. i ukaz. D. V. Zhitomirskogo. M.: Muzyka, 1975-1979. T. 1. 408 s.
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