A. YU. TALASHCHUK’S CREATIVE WORK AS A PAINTER OF ENAMEL
Aleksandrova Yana Aleksandrovna
St. Petersburg Stieglitz State Academy of Arts and Design
Submitted: 28.05.2018
Abstract. The article traces the evolution of the enamel creativity by A. Yu. Talashchuk, a monumental artist, beginning with the works made at the international enamel symposium in Kecskemet (1983, 1986) and finishing with the works performed in the 2000s, revealing the origins of his individual artistic style formation. The author pays special attention to the analysis of the design of the works, noting the desire to find an individual solution for each of them. The final conclusions of the study are connected with the identification of the features of A. Yu. Talashchuk’s artistic language, since they will become the foundations for St. Petersburg school of easel enamel.
Key words and phrases: А. Ю. Талащук, петербургское искусство, художественная эмаль, эмаль, станковая эмаль, современная эмаль, эмальерный симпозиум, Кечкемет, A. Yu. Talashchuk, Petersburg art, artistic enamel, enamel, easel enamel, modern enamel, enamel symposium, Kecskemet
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Русский
