GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Manuscript. Tambov: Gramota, 2019. є 12. P. 253-257.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

https://doi.org/10.30853/manuscript.2019.12.50

J. S. BACHТS "ST JOHN PASSION": ANALYSIS OF MUSICAL COMPOSITION IN THE CONTEXT OF SYNTHESIS OF ARTS

Kirienko Irina Vyacheslavovna
Far Eastern State Institute of Arts


Submitted: 29.10.2019.
Abstract. The article is devoted to the problem of interaction of music and other forms of art in the epoch of baroque. J. S. BachТs musical composition is analysed comprehensively: the semantic analysis aims to identify universal techniques of artistic expressiveness and the synesthetic analysis helps to reveal the deeper, non-verbalizable meaning of the musical text. The author concludes that using the comprehensive analysis methods while studying baroque music allows achieving deeper understanding of musical language and revealing the image of a musical composition of the remote epoch.
Key words and phrases: взаимодействие искусств, семантический анализ, синестетический анализ, внемузыкальные компоненты, барокко, synthesis of arts, semantic analysis, synesthetic analysis, non-musical components, baroque.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Druskin M. S. Iogann Sebast'yan Bakh. M.: Muzyka, 1982. 383 s.
  2. Druskin M. S. Passiony I. S. Bakha. M.: Muzyka, 1972. 87 s.
  3. Zeifas N. M. Muzykovedcheskoe prinoshenie // Muzykal'naya akademiya. 2000. є 4. S. 175-196.
  4. Istoriya estetiki. Pamyatniki mirovoi esteticheskoi mysli: v 5-ti t. M.: Iskusstvo, 1964. T. 2. Esteticheskie ucheniya XVII-XVIII vekov. 835 s.
  5. Kamyshnikova S. V. Neverbal'no-sinesteticheskii aspekt muzykal'nogo vospriyatiya (na materiale instrumental'noi muzyki barokko): avtoref. diss. Е k. iskusstvovedeniya. Novosibirsk, 2007. 22 s.
  6. Kolyadenko N. P. Sinestetichnost' muzykal'no-khudozhestvennogo soznaniya (na materiale iskusstva XX veka). Novosibirsk: Novosibirskaya gosudarstvennaya konservatoriya (akademiya) im. M. I. Glinki, 2005. 392 s.
  7. Kudryashov A. Yu. Teoriya muzykal'nogo soderzhaniya. Khudozhestvennye idei evropeiskoi muzyki XVII-XX vv.: uchebnoe posobie dlya muzykal'nykh vuzov i vuzov iskusstv. SPb.: Lan', 2006. 432 s.
  8. Leibnits G. V. Sochineniya: v 4-kh t. / per. s frants.; red. B. E. Bykhovskii, G. G. Maiorov, I. S. Narskii. M.: Mysl', 1989. T. 4 / red. toma, avt. vstup. st. i primech. V. V. Sokolova. 556 s.
  9. Lobanova M. Zapadnoevropeiskoe muzykal'noe barokko: problemy estetiki i poetiki. M.: Muzyka, 1994. 320 s.
  10. Shveitser A. Iogann Sebast'yan Bakh / per. s nem. Ya. S. Druskina; pod red. i s poslesl. M. Druskina. M.: Muzyka, 1965. 723 s.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

© 2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru