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SOURCE:   Manuscript. Tambov: Gramota, 2020. 3. P. 204-208.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2020.3.41

Trinity Image in M. V. Nesterovs Painting: Specificity of Artistic Language and Religious and Philosophical Interpretations

Skorobogacheva Ekaterina Aleksandrovna
Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture


Submitted: 14.02.2020.
Abstract. The article for the first time examines interpretation of the Trinity image in M. V. Nesterovs painting with a view to identify specificity of artistic language and philosophical content, vectors of spiritual and artistic influence, peculiarities of religious and philosophical interpretations. Analysing poorly investigated artworks, the researcher traces influence of the Old Russian, Byzantine, Italian art, academic, realistic, modernistic trends, reveals impact of the Russian philosophical thought on the painters religious and philosophical attitudes. The conclusion is made that M. V. Nesterov interpreted the Trinity dogma from the viewpoint of the philosopher and the painter-innovator.
Key words and phrases: , , , , , , - , Trinity image, continuity of traditions, realism, specificity of artistic language, synthetic nature of creative work, academic art, religious and philosophical interpretations.
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