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SOURCE:   Manuscript. Tambov: Gramota, 2020. 5. P. 188-192.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2020.5.37

Musical and Symbolic Model of Karol Szymanowskis Opera "King Roger"

Saduova Aliya Talgatovna, Karpova Elena Konstantinovna
Ufa State Institute of Arts named after Zagir Ismagilov


Submitted: 30.03.2020.
Abstract. The paper aims to decode the musical and symbolic model of Karol Szymanowskis opera "King Roger", which is considered from the viewpoint of the authors myth theory, and to trace formation of the composers conception. Scientific originality of the study involves identifying musical themes-symbols that reveal the personages inner world and indicate stages of the humans transformation on the way to spiritual harmony. The findings lead to the conclusion that, reinterpreting mythologemes and symbols of different epochs and cultures, the composer creates his own myth where images of the bygone age form new artistic space. Surpassing national and temporal borders, Szymanowski develops his own worldview.
Key words and phrases: , , " ", , , -, Polish music, Karol Szymanowski, opera "King Roger", authors myth, musical drama, musical themes-symbols.
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