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SOURCE:   Manuscript. Tambov: Gramota, 2020. № 6. P. 187-192.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2020.6.36

Sayn?te "La Revoltosa" ("The Troublemaker") by Ruperto Chap? as Realization of Synthesis of Arts Principle in the Spanish Musical Theatre

Khamenok Vera Ivanovna
Schnittke Moscow State Institute of Music


Submitted: 07.04.2020.
Abstract. The article aims to identify the zarzuela genre features and to analyse specificity of their manifestation in the "La Revoltosa" ("The Troublemaker") sayn?te by Ruperto Chap?. Scientific originality of the study is determined by the fact that the zarzuela genre has not been previously investigated in the domestic musicology. The research objective includes analysing the chico and zarzuela genres. Special attention is paid to studying principles of interaction of musical, dramatic and scenic elements in "La Revoltosa". The paper considers the sayn?te as semiotic integrity, examines the role of the author’s remarks, proxemics, melodic and dynamic components. The research findings allow concluding that "La Revoltosa" is based on the synthesis of arts principle.
Key words and phrases: сарсуэла, жанр чико, сайнете, Руперто Чапи, синтез, проксемика, ремарка, семиотика, zarzuela, chico genre, sayn?te, Ruperto Chap?, synthesis, proxemics, remark, semiotics.
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