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SOURCE:   Manuscript. Tambov: Gramota, 2020. № 9. P. 168-173.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2020.9.33

Modern Domestic Mono-Opera: Theory and Practice

Zadneprovskaya Galina Viktorovna
Lomonosov Moscow State University


Submitted: 10.08.2020.
Abstract. The paper aims to reveal genre peculiarities of the modern domestic mono-opera, to show diversity of composer’s techniques. The author identifies basic genre-formative features and traces their evolution in the Russian mono-opera in the period from the beginning of the 1990s till nowadays. It is shown that the mono-opera has achieved high popularity due to its advantages under conditions of the low-budget opera theatre. Scientific originality of the study involves systematization of the domestic mono-opera depending on whether or not it follows traditions of the XX-century opera in terms of preserving or abandoning key genre-formative features. The research findings are as follows: the author reveals basic genre-formative features of the modern domestic mono-opera, such as monologism, introduction of non-scenic personages, careful attitude to a literary source. Special attention is paid to diversity of composer’s techniques within the mono-opera genre.
Key words and phrases: современная отечественная моноопера, полижанровость, монологичность, внесценические персонажи, литературный первоисточник, modern domestic mono-opera, multi-genre nature, monologism, non-scenic personages, literary source.
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