Stepan Vasilyevich Smolensky and Folk Musical Culture
Smirnov Dmitry Vladimirovitch
Moscow State Conservatory named after P. I. Tchaikovsky
Submitted: 28.07.2020
Abstract. The study aims to determine the role that the prominent palaeographer and mediaevalist S. V. Smolensky played in the history of studying song structures, basing on his interpretation of the notion "folk character" as applied to examples of the oral and written musical tradition. The article cites Smolensky’s numerous comments on folk culture, finds connections to his predecessors and demonstrates that his works were of paramount importance for development of the Russian musical folklore studies. Scientific novelty of the research is determined by orientation towards a broad field of knowledge, in which works of musical folklore are considered through the lens of a whole range of cultural phenomena. As a result, it can be reasonably asserted that Smolensky’s works represent an important stage in formation of modern analytical methods.
Key words and phrases: история музыкальной фольклористики, С. В. Смоленский, устное народное музыкальное творчество, церковное православное пение, древнерусская певческая нотация, аналитическая графика, history of musical folklore studies, S. V. Smolensky, musical folklore, church Orthodox singing, Old Russian singing notation, analytical graphics
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