The Basic Tendencies of Violin Concerto Genre Evolution in the Creative Work of Chinese Composers of the 1940-1980s
Xin Xing
Southwest Jiaotong University
Submitted: 15.10.2021
Abstract. The paper aims to identify the specificity of Chinese composers’ interpretation of violin concerto genre in the 1940-1980s. Scientific originality of the study lies in the fact that Chinese violin concerto is for the first time analyzed in historical context. As a result, it is proved that Chinese composers adopted genre and style model of European and Russian violin concertos created at the turn of the XIX-XX centuries within the style trends of late Romanticism and neo-folklorism. The research findings are as follows: the author reveals national peculiarities of Chinese violin concerto of the 1940-1980s - collective authorship and ideological programmability.
Key words and phrases: жанр скрипичного концерта, китайские композиторы, коллективность, программность, ХХ век, violin concerto genre, Chinese composers, collective character, programmatic nature, XX century
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Mu Tsyuan'chzhi. Stanovlenie i razvitie skripichnogo iskusstva v Kitae: obrazovanie, ispolnitel'stvo, natsional'nyi repertuar: diss. … k. isk. / Nizhegorodskaya gos. konservatoriya im. M. I. Glinki. N. Novgorod, 2018.
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Русский
