GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pan-ArtPedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:    Manuscript. Tambov: Gramota, 2021. № 3. P. 519-523.
SCIENTIFIC AREA:    Study of Art
Procedure of Scientific Articles Publication | To Show Issue Content | To Show All Articles in Section | Subject Index

License Agreement on scientific materials use.

https://doi.org/10.30853/mns210103

Metaphor of Dead City in Musical Art (by the Example of Iraida Yusupova’s Composition "Kitezh-19")

Vanchugov Anton Vladimirovich
Glinka Novosibirsk State Conservatoire


Submitted: 24.02.2021
Abstract. The study aims to present the metaphor of the Dead City in musical art, which realises one of the variants of urban themes in mythology, literature, music and allows the researcher to comprehend relevant issues of our time. Scientific novelty of the research lies in developing a metaphorical approach to studying musical works and for the first time applying it to Iraida Yusupova’s composition "Kitezh-19" (2004). As a result, the researcher has determined nature of interaction between expressive means of two opposite language systems (neoclassical means and electronic ambient), which made it possible to render in an allegorical form the tragic end of the post-technogenic mirage city and collapse of the modern civilisation.
Key words and phrases: метафора, музыкальный текст, мертвый город, Ираида Юсупова, Китеж, metaphor, musical text, dead city, Iraida Yusupova, Kitezh
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
  1. Akopyan L. O. Analiz glubinnoi struktury muzykal'nogo teksta: avtoref. diss. … d. isk. M., 1996. 35 s.
  2. Aranovskii M. G. Muzykal'nyi tekst. Struktura i svoistva. M.: Kompozitor, 1998. 343 s.
  3. Afonasina A. S. Platon i Atlantida. Obzor knigi: Rudberg, Gunnar. Atlantis and Syracuse. Norderstedt: Books on Demand GmbH, 2012 // ????? (Schole). Filosofskoe antikovedenie i klassicheskaya traditsiya. 2014. T. 8. № 2. S. 249-256.
  4. Veksler Yu. S. "Mertvyi gorod"… Bryugge v romane Zh. Rodenbakha i opere E. V. Korngol'da // Nauchnyi vestnik Moskovskoi konservatorii. 2014. № 3. S. 92-107.
  5. Golaidenko L. N., Prokof'eva I. O. Obraz mertvogo goroda v nezakonchennom romane ufimskogo prozaika Svetlany Churaevoi "Shura_Le" (glava "Chunya") // Filologicheskie nauki. Voprosy teorii i praktiki. 2020. № 7. S. 9-13.
  6. Gulyanitskaya N. S. Muzykal'naya kompozitsiya: modernizm, postmodernizm (istoriya, teoriya, praktika). M.: Yazyki slavyanskoi kul'tury, 2014. 368 s.
  7. Kazantseva L. P. Osnovy teorii muzykal'nogo soderzhaniya: uchebnoe posobie. Astrakhan': Fakel; Astrakhan'gazprom, 2001. 368 s.
  8. Krylova A. V. Fonosfera megapolisa kak fenomen zvukovogo sinteza: k probleme ekologii audial'noi sredy // Problemy muzykal'noi nauki. 2017. № 1 (26). S. 27-32.
  9. Maksimov S. V. Nechistaya, nevedomaya i krestnaya sila. SPb.: POLISET, 1994. 446 s.
  10. Pashchenko M. V. "Kitezh", ili Russkii "Parsifal'": genezis simvola // Voprosy literatury. 2008. № 2. C. 145-182.
  11. Ryabova S. G. Kompozitsionnyi obraznyi stroi rasskaza kak tip tselogo esteticheski zavershennogo sobytiya (po rasskazu I. A. Bunina "Pyl'") // Filologicheskie nauki. Voprosy teorii i praktiki. 2015. № 2 (44). Ch. 1. C. 174-177.
  12. Stognii I. S. Metafora v muzykal'nom tekste // Muzykal'noe iskusstvo i nauka v KhKhI veke: istoriya, teoriya, ispolnitel'stvo, pedagogika: sb. statei po materialam Mezhdunarodnoi nauchnoi konferentsii, posvyashchennoi 40-letiyu Astrakhanskoi gosudarstvennoi konservatorii. Astrakhan', 2010. S. 96-101.
  13. Stognii I. S. Metafora v muzyke: postanovka problemy // Muzykovedenie k nachalu veka: proshloe i nastoyashchee: Vserossiiskaya nauchnaya konferentsiya RAM im. Gnesinykh (11-12 noyabrya 2009 g.). M.: RAM im. Gnesinykh, 2010. S. 64-75.
  14. Stognii I. S. Metaforicheskii yazyk muzyki // Muzykovedenie. 2010. № 10. S. 11-16.
  15. Stognii I. S. Protsessy smysloobrazovaniya v muzyke: semiologicheskii aspekt: avtoref. diss. … d. isk. M., 2013. 55 s.
  16. Khodnev S. Ochumelaya klassika // Kommersant". 2010. 1 dekabrya.
  17. Kholopova V. N. Teorii muzykal'nogo soderzhaniya, muzykal'noi germenevtiki, muzykal'noi semantiki: skhodstvo i razlichiya // Zhurnal Obshchestva teorii muzyki. 2014. № 1 (5). S. 20-42.
  18. Sheshunova C. V. Grad Kitezh v russkoi literature: paradoksy i tendentsii // Izvestiya Rossiiskoi akademii nauk. Seriya literatury i yazyka. 2005. T. 64. № 4. S. 12-23.
  19. Bogdanov V. All Music Guide to Electronica: The Definitive Guide to Electronic Music. San Francisco: Backbeat Books, 2001. 710 r.
  20. https://pitchfork.com/reviews/albums/11731-discreet-musicambient-1-music-for-airportsambient-2-the-plateaux-of-mirror-with-harold-buddambient-4-on-land/ (data obrashcheniya: 27.12.2020).
  21. Sheppard D. On Some Faraway Beach: The Life and Times of Brian Eno. Chicago: Chicago Review Press, 2009. 514 r.
  22. Szabo V. Ambient Music as Popular Genre: Historiography, Interpretation, Critique: A Dissertation Presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy. University of Virginia, 2015. 397 p.

Procedure of Scientific Articles Publication | To Show Issue Content | To Show All Articles in Section | Subject Index

© 2006-2024 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru