GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Manuscript. Tambov: Gramota, 2020. 8. P. 190-194.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

https://doi.org/10.30853/manuscript.2020.8.35

Spatialization of Musical Time and Its Role in Modern Composers Creative Work

Krishtalyuk Olga Aleksandrovna
Samara State Institute of Culture and Arts


Submitted: 15.07.2020.
Abstract. The paper aims to present a survey of musicological and composers studies on the musical time spatialization phenomenon of the second half of the XX century. Scientific originality of the research lies in the fact that the author examines certain trends associated with musical time spatialization and reveals artistic specificity of the spatial parameter in the composer Yu. S. Kasparovs creative conception. The research findings are as follows: relying on the existing theories in the field of musical avant-garde, the author concludes about a special semantic role of acoustic space in the modern composition. In fact, the concept "acoustic space" correlates with the concept "theme" in compositions of the classical-romantic period.
Key words and phrases: , , , . C. , musical time spatialization, composition parameters, musical space coordinates, Yu. S. Kasparov.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Bulez P. Myslit' muzyku segodnya (fragment) / per. N. V. Devutskoi // Devutskaya N. V. "Chas nul'" avangarda. Seriinaya organizatsiya v rannikh proizvedeniyakh P. Buleza: diplomnaya rabota. M.: MGK im. P. I. Chaikovskogo, 2000. S. 141-170.
  2. Vysotskaya M., Grigor'eva G. Muzyka XX veka: ot avangarda k postmodernu. M.: Moskovskaya konservatoriya, 2011. 440 s.
  3. Gertsman E. Muzyka Drevnei Gretsii i Rima. SPb.: Aleteiya, 1995. 328 s.
  4. Gudachev O. Kontseptsiya prostranstvennoi muzyki: ot zarozhdeniya do serediny XX veka // Mezhdunarodnyi zhurnal issledovanii kul'tury. 2017. 3 (28). S. 105-117.
  5. Kasparov Yu. I - ya kompozitor! M.: Muzizdat, 2014. 200 s.
  6. Martynov V. Vremya i prostranstvo kak faktory muzykal'nogo formoobrazovaniya // Ritm, prostranstvo i vremya v literature i iskusstve: sbornik / otv. red. B. F. Egorov. L.: Nauka, 1974. S. 238-248.
  7. Petruseva N. P'er Bulez. Estetika i tekhnika muzykal'noi kompozitsii: diss. d. isk. M., 2003. 408 s.
  8. Kholopov Yu. Garmoniya: teoreticheskii kurs. SPb.: Lan', 2003. 540 s.
  9. Kholopova V. Muzyka kak vid iskusstva. SPb.: Lan', 2000. 319 s.
  10. Shutko D. Frantsuzskaya spektral'naya muzyka 1970-1980-kh godov (teoreticheskie osnovy muzykal'nogo yazyka): avtoref. diss. k. isk. SPb., 2004. 23 s.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru