GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Manuscript. Tambov: Gramota, 2021. 1. P. 176-182.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

https://doi.org/10.30853/mns210015

Ontological Dialogue as Synergetic Model of Musical Dramaturgy Arrangement (by the Material of L. Dychkos "Triumphant Liturgy")

Kuznetsova Alina Vladimirovna, Kurganskaya Olga Alexandrovna, Romenskaya Ludmila Anatolievna
Belgorod State Institute of Arts and Culture


Submitted: 07.12.2020.
Abstract. The article analyses L. Dychkos "Triumphant Liturgy", a symbolic composition of the early ղ century, through the lens of the "ontological dialogue" category, one of the key categories of musical analysis. Ontology of music reveals spiritual essence of a musical composition taking into account its genre specificity (secular or liturgical music). The authors propose a model of musical composition in which ontological parameters system integrates hierarchical elements through interaction of the humans image and worldview, elements of musical language and spatial-temporal arrangement. Choice of L. Dychkos composition is conditioned by the fact that it presents synthesis of ontological systems on the basis of synergy. The research findings are as follows: introduction of the "ontological dialogue" category allows interpreting musical composition dramaturgy as a spiritual vertical integrating different genres and styles. The synergetic type of musical dramaturgy arrangement is determined by specificity of liturgy as an archetype of the Christian culture.
Key words and phrases: , " ", , " - ", - , ontological dialogue, "Triumphant Liturgy", synergetic model, "prayer - benediction", genre-prosodic pairs.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Annotatsiya k notnomu izdaniyu "Urochista lturgya" L. Dychko / red. N. Gobdych. K.: Muzichna Ukrana, 2002. 83 s.
  2. Bolgarskii D. A. O tserkovnom penii i ego osobennostyakh // Pravoslavnyi vestnik. 1996. Vyp. 1. S. 63-69.
  3. Konovalova I. Yu. Lichnostno-stilevye determinanty khorovogo tvorchestva L. V. Dychko // Kul'tura Ukrainy. Kh.: KhGAK, 2014. Vyp. 47. S. 220-230.
  4. Martynov V. K probleme izucheniya form drevnerusskogo bogosluzhebnogo peniya // Muzykal'noe iskusstvo i religiya: materialy Vsesoyuznoi nauchnoi konferentsii "Otechestvennaya kul'tura XX veka i dukhovnaya muzyka" / otv. red. V. V. Medushevskii. M.: Rossiiskaya akademiya muzyki im. Gnesinykh, 1994. S. 9-20.
  5. Medushevskii V. V. Vnemlite angel'skomu pen'yu. Chelovechestvo i ego kul'tura na poroge 2000-letiya Rozhdestva Khristova (po str. tr. prof. V. V. Medushevskogo) / sost. O. A. Galkin. Mn.: Pravoslavnoe bratstvo vo imya Arkhistratiga Mikhaila, 1999. 320 s.
  6. Medushevskii V. V. Doklad "Muzyka Rakhmaninova: traditsiya dukhovnogo realizma": rukopis' (Mezhdunarodnyi simpozium "Rakhmaninov: na perelome stoletii". Khar'kov, noyabr' 1998) // Lichnyi arkhiv avtorov.
  7. Medushevskii V. V. Dukhovno-nravstvennyi analiz muzyki [Elektronnyi resurs]. URL: https://www.portal-slovo.ru/art/35813.php?ELEMENT_ID=35813&SHOWALL_1=1 (data obrashcheniya: 22.12.2020).
  8. Pertsova N. O., Gorobets' V. P., Gritsenko V. V. Spetsifka ukrans'ko khorovo lteraturi na priklad tvorchost L. Dichko, V. Stepurka, V. Pol'ovo: tradits ta novatorstvo // Molodii vchenii. 2017. 11 (51). S. 614-617.
  9. Pis'mennaya O. B. Muzykal'nyi yazyk khorovykh proizvedenii Lesi Dychko: avtoref. diss. k. isk. L'vov, 2004. 16 s.
  10. Romenskaya L. A. Vremya-prostranstvo kak smysloobrazuyushchii faktor kompozitorskogo tvorchestva // Nauka. Iskusstvo. Kul'tura. 2017. 1 (13). S. 29-37.
  11. Romenskaya (Zaitseva) L. A. Ontologicheskaya kontseptsiya muzyki (diskurs khristianskoi antropologii muzyki) // Problemi vzamod mistetstva, pedagogki ta teor praktiki osvti. Kogntivne muzikoznavstvo: zb. nauk. statei / KhDUM m. . P. Kotlyarevs'kogo. Kharkv: S.A.M., 2010. Vip. 29. S. 4-36.
  12. Romenskaya L. A., Zhirov M. S., Kinash L. A. Sakral'nyi khronotop kak smysloobrazuyushchii fenomen kompozitorskogo tvorchestva: opyt modelirovaniya // Alma mater (Vestnik vysshei shkoly). 2018. 7. S. 54-58.
  13. Florenskii P. A. U vodorazdelov mysli. M.: Pravda, 1990. 446 s.
  14. Florenskii P. A. Khristianstvo i kul'tura. M.: Folio, 2001. 664 s.
  15. Khoruzhii S. S. K fenomenologii askezy. M.: Gumanitarnaya literatura, 1998. 352 s.
  16. Shevchuk O. Yu. K probleme issledovaniya drevnerusskikh bogosluzhebno-liturgicheskikh zhanrov // Musicae Ars et Scientia: kniga na chest' 70-rchchya doktora mistetstvoznavstva, profesora Nni Oleksandrvni Gerasimovo-Persids'ko / Natsonal'na muzichna akademya Ukrani m. P. . Chaikovs'kogo. K.: Drukar, 1999. Vip. 6. S. 54-65.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru