Ontological Dialogue as Synergetic Model of Musical Dramaturgy Arrangement (by the Material of L. Dychko’s "Triumphant Liturgy")
Kuznetsova Alina Vladimirovna, Kurganskaya Olga Alexandrovna, Romenskaya Ludmila Anatolievna
Belgorod State Institute of Arts and Culture
Submitted: 07.12.2020
Abstract. The article analyses L. Dychko’s "Triumphant Liturgy", a symbolic composition of the early ХХІ century, through the lens of the "ontological dialogue" category, one of the key categories of musical analysis. Ontology of music reveals spiritual essence of a musical composition taking into account its genre specificity (secular or liturgical music). The authors propose a model of musical composition in which ontological parameters system integrates hierarchical elements through interaction of the human’s image and worldview, elements of musical language and spatial-temporal arrangement. Choice of L. Dychko’s composition is conditioned by the fact that it presents synthesis of ontological systems on the basis of synergy. The research findings are as follows: introduction of the "ontological dialogue" category allows interpreting musical composition dramaturgy as a spiritual vertical integrating different genres and styles. The synergetic type of musical dramaturgy arrangement is determined by specificity of liturgy as an archetype of the Christian culture.
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